Friday, 22 September 2017 20:34

69th Emmy Awards: All Music & Sound Category Winners

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Hey, we’re ALL winners with the Emmy Awards. Content for TV is rocketing forward right now, and the re-emerging possibilities of the format – and the intense competition – are making for a lot of must-see TV now.

Best of all the music categories keep growing, including our beloved first ever “Outstanding Music Supervision” award. Spoiler alert! Huge congratulations to Susan Jacobs, taking home this historic award for HBO’s “Big Little Lies” episode, “You Get What You Need.”

Without any more ado, here are all the winners of the music and sound categories at the 69th Emmy Awards, converged for your convenience. Congratulations to the many talented winners and nominees in these categories, and all the talented people behind them! From composition and synch licensing to sound editing and mixing, the Emmy’s honor an incredible profession.

Outstanding Music Composition for a Limited Series, Movie, or Special (Original Dramatic Score) - 2017

Fargo

"Aporia"

FX Networks

  • Jeff Russo, Music by

 

Outstanding Music Composition for a Series (Original Dramatic Score) - 2017

House of Cards

"Chapter 63"

Netflix

  • Jeff Beal, Music by

 

Outstanding Original Music and Lyrics - 2017

13th

"Song Title: Letter To The Free"

Netflix

  • Common, Music & Lyrics by
  • Robert Glasper, Music by
  • Karriem Riggins, Music by

 

Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera) - 2017

“The Beatles: Eight Days A Week - The Touring Years”

Hulu

  • Chris Jenkins, Re-Recording Mixer
  • Cameron Frankley, Re-Recording Mixer
  • Nathan Evans, Production Mixer
  • Sam Okell, Music Mixer

 

Outstanding Sound Editing for a Series - 2017

 Stranger Things

"Chapter Eight: The Upside Down"

Netflix

  • Bradley North, Sound Supervisor
  • Craig Henighan, Sound Editor
  • Jordan Wilby, Sound Editor
  • Jonathan Golodner, Sound Editor
  • Tiffany S. Griffith, Sound Editor
  • Sam Munoz, Foley Editor
  • David Klotz, Music Editor
  • Noel Vought, Foley Artist
  • Ginger Geary, Foley Artist

 

Outstanding Sound Editing for a Limited Series, Movie or Special - 2017

 The Night Of

"Subtle Beast"

HBO

  • Nicholas Renbeck, Sound Supervisor
  • Marissa Littlefield, Supervising ADR Editor
  • Steve Visscher, Supervising Foley Editor
  • Ruth Hernandez, ADR Editor
  • Sara Stern, Dialogue Editor
  • Luciano Vignola, Dialogue Editor
  • Odin Benitez, Dialogue Editor
  • Wyatt Sprague, Sound Effects Editor
  • Roland Vajs, Sound Effects Editor
  • Ruy Garcia, Sound Designer
  • Warren Shaw, Sound Designer
  • Heather Gross, Foley Editor
  • Dan Evans Farkas, Music Editor
  • Grant Conway, Music Editor
  • Marko Costanzo, Foley Artist

 

Outstanding Original Main Title Theme Music - 2017

“Stranger Things”

Netflix

  • Michael Stein, Theme by
  • Kyle Dixon, Theme by

 

Outstanding Music Direction - 2017

“Taking The Stage: African American Music And Stories That Changed America”

ABC

  • Rickey Minor, Music Direction by

 

Outstanding Sound Editing for a Nonfiction Program (Single or Multi-Camera) - 2017

“The Beatles: Eight Days A Week - The Touring Years”

Hulu

  • Jon Michaels, Co-Supervising Sound Editor
  • Cameron Frankley, Co-Supervising Sound Editor
  • Harrison Meyle, Dialogue Editor
  • Dan Kenyon, Sound Effects Editor
  • Will Digby, Sound Effects Editor
  • Melissa Muik, Music Editor

 

Outstanding Sound Mixing for a Limited Series or Movie - 2017

The Night Of

"The Beach"

HBO

  • Michael Barry, Re-Recording Mixer
  • Nicholas Renbeck, Re-Recording Mixer
  • Felix Andrew, Production Mixer
  • Larry Hoff, Production Mixer

 

Outstanding Sound Mixing for a Variety Series or Special - 2017

 2017 Rock And Roll Hall Of Fame Induction Ceremony

HBO

  • Al Centrella, Production Mixer
  • Susan Pelino, Re-Recording Mixer
  • Jay Vicari, Music Mixer
  • John Harris, Music Mixer
  • Dave Natale, FOH Mixer
  • Erik Von Ranson, FOH Mixer
  • Simon Welch, Monitor Mixer
  • Info
  • Awards

59th Grammy Awards

CBS

  • Josh Morton, Post Audio Mixer
  • Thomas Holmes, Production Mixer
  • Mikael Stewart, FOH Production Mixer
  • Eric Schilling, Broadcast Music Mixer
  • John Harris, Broadcast Music Mixer
  • Ron Reaves, FOH Mixer
  • Tom Pesa, Stage Foldback Mixer
  • Michael Parker, Stage Foldback Mixer
  • Eric Johnston, Playback Music Mixer
  • Pablo Munguia, Pro Tools Mixer
  • Bob LaMasney, Sweetening Mix

 

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation - 2017

Mozart In The Jungle

"Now I Will Sing"

Amazon

  • Andy D'Addario, Re-Recording Mixer
  • Gary Gegan, Re-Recording Mixer
  • Marco Fiumara, Production Mixer
  • Clark Germain, Scoring Mixer

 

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) - 2017

Westworld

"The Bicameral Mind"

HBO

  • Keith Rogers, Re-Recording Mixer
  • Scott Weber, Re-Recording Mixer
  • Roger V. Stevenson, CAS, Production Mixer
  • Kyle O'Neal, ADR Mixer

 

Outstanding Music Supervision – 2017

Big Little Lies

"You Get What You Need"

HBO

-- Susan Jacobs, Music Supervisor

Big Little Lies HBO

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Our Book:

Music Supervision 2: The Complete Guide to Selecting Music for Movies, TV, Games, & New Media

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The newly revised, definitive book on music supervision, which guides you through real-world scenarios and legal landmines, explores sound design, and profiles key players.

Music supervision, or matching music to all the different mediums from films to ring tones, is one of the fastest-growing careers in the music industry, but finding the winning song for a national ad campaign or compiling a platinum movie soundtrack takes more than just good taste. Music supervision today requires serious multi-tasking and the ability to navigate licensing, relationships, and cultural trends with ease. This book guides you through real scenarios and legal landmines you might encounter; it explores sound design and profiles key players with insightful interviews, while providing project form templates that will save time for seasoned music supervisors.

This is the only guide to the career of music supervision and is ideal for the music student, musician, industry executive and of course, for those who want to break into the field of music supervision. Authors David Weiss, Ramsay Adams and David Hnatiuk are all renowned figures in the procurement and supervision of music and they apply their combined knowledge and experience to give the best possible advice and tell you how to get the job!